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		<TitleText textcase="02">Fictions of Dignity</TitleText>
		
		<Subtitle textcase="02">Embodying Human Rights in World Literature</Subtitle>
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		<PersonNameInverted>Anker, Elizabeth S.</PersonNameInverted> 
		<NamesBeforeKey>Elizabeth S.</NamesBeforeKey> 
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		<BiographicalNote>&lt;p&gt;
	Elizabeth S. Anker is Assistant Professor of English at Cornell University.&lt;/p&gt;</BiographicalNote>
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		<SubjectHeadingText>Political Science / Human Rights</SubjectHeadingText>
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		<Text language="eng">&lt;P&gt;
	Over the past fifty years, debates about human rights have assumed an increasingly prominent place in postcolonial literature and theory. Writers from Salman Rushdie to Nawal El Saadawi have used the novel to explore both the possibilities and challenges of enacting and protecting human rights, particularly in the Global South. In &lt;em&gt;Fictions of Dignity&lt;/em&gt;, Elizabeth S. Anker shows how the dual enabling fictions of human dignity and bodily integrity contribute to an anxiety about the body that helps to explain many of the contemporary and historical failures of human rights, revealing why and how lives are excluded from human rights protections along the lines of race, gender, class, disability, and species membership. In the process, Anker examines the vital work performed by a particular kind of narrative imagination in fostering respect for human rights. Drawing on phenomenology, Anker suggests how an embodied politics of reading might restore a vital fleshiness to the overly abstract, decorporealized subject of liberal rights.&lt;/p&gt;
&lt;P&gt;
	Each of the novels Anker examines approaches human rights in terms of limits and paradoxes. Rushdie's &lt;em&gt;Midnight's Children&lt;/em&gt; addresses the obstacles to incorporating rights into a formerly colonized nation's legal culture. El Saadawi’s &lt;em&gt;Woman at Point Zero&lt;/em&gt; takes up controversies over women’s freedoms in Islamic society. In &lt;em&gt;Disgrace&lt;/em&gt;, J. M. Coetzee considers the disappointments of post-apartheid reconciliation in South Africa. And in &lt;em&gt;The God of Small Things&lt;/em&gt;, Arundhati Roy confronts an array of human rights abuses widespread in contemporary India. Each of these literary case studies further demonstrates the relevance of embodiment to both comprehending and redressing the failures of human rights, even while those narratives refuse simplistic ideals or solutions.&lt;/p&gt;</Text>
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		<Text language="eng">Elizabeth S. Anker examines human rights in the narrative imagination and, in the process, makes a compelling case for literature as a uniquely valuable point of entry into theoretical discussions of human rights.</Text>
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		<Text>&lt;p&gt;
	Introduction: Constructs by Which We Live&lt;/p&gt;
&lt;p&gt;
	1. Bodily Integrity and Its Exclusions&lt;/p&gt;
&lt;p&gt;
	2. Embodying Human Rights: Toward a Phenomenology of Social Justice&lt;/p&gt;
&lt;p&gt;
	3. Constituting the Liberal Subject of Rights: Salman Rushdie's &lt;em&gt;Midnight’s Children&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;
	4. Women’s Rights and the Lure of Self-Determination in Nawal El Saadawi’s &lt;em&gt;Woman at Point Zero&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;
	5. J. M. Coetzee’s &lt;em&gt;Disgrace&lt;/em&gt;: The Rights of Desire and the Embodied Lives of Animals&lt;/p&gt;
&lt;p&gt;
	6. Arundhati Roy’s "Return to the Things Themselves": Phenomenology and the Challenge of Justice&lt;/p&gt;
&lt;p&gt;
	Coda: Small Places, Close to Home&lt;/p&gt;
&lt;p&gt;
	&lt;em&gt;Notes&lt;br /&gt;
	Works Cited&lt;br /&gt;
	Index&lt;/em&gt;&lt;/p&gt;</Text>
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		<Text>&lt;p&gt;
	"With deft skill, Elizabeth S. Anker explores some of the most important issues of human rights by moving restlessly between literature and law. The originality of her reading lies in going beyond textual and linguistic codifications and confronting the dignity of the human person in its most urgent, embodied form. I have greatly enjoyed Anker's phenomenology of the fictions of dignity."—Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University&lt;/p&gt;</Text>
		
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		<Text>&lt;p&gt;
	"&lt;em&gt;Fictions of Dignity&lt;/em&gt; mounts a defense of literature and the literary for thinking about human rights thickly—over and against what Elizabeth S. Anker considers the thinness of legal language and interpretation. It offers a compelling account of why culture matters."—Joseph Slaughter, Columbia University, author of &lt;em&gt;Human Rights, Inc.: The World Novel, Narrative Form, and International Law&lt;/em&gt;&lt;/p&gt;</Text>
		
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