Collection : Lieven Gevaert Series, Leuven University Press
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Aim Duelle Luski and Horizontal Photography
Ariella Azoulay
This book is the product of a unique collaboration between the Israeli artist and philosopher Aim Deuelle Luski and Ariella Azoulay.



Allan Sekula
Ship of Fools/The Dockers' Museum
Ship of Fools/The Dockers' Museum is the project on which the North American artist and writer Allan Sekula worked during the last three years of his life.



The Art of Strip Photography
Making Still Images with a Moving Camera
Maarten Vanvolsem
Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement.



A Class of Their Own
The Düsseldorf School of Photography
Maren Polte
The 'Düsseldorf School' has become a household name in the art world for one of the most successful and influential strains of modern photography. Coined in the late 1980s, the name refers mainly to the pioneer group of students of the late Bernd...



Collective Inventions
Surrealism in Belgium
Lieven Gevaert Series 5 Surrealism's French manifestations are best known, but Belgium also had a complex history of Surrealist activity in the early twentieth century, one as radical and visionary as that in France. A number of groups affiliated...



Conceptual, Surrealist, Pictorial
Photo-Based Art in Belgium (1960s – early 1990s)
Liesbeth Decan
Conceptual, Surrealist, Pictorial is the first in-depth study of the use of photography by Belgian artists from the 1960s until the early 1990s.



Constantin Meunier
A Dialogue with Allan Sekula
Hilde van Van Gelder
This book is the outcome of a collaborative research project between LGC, the Leuven Museumsite and STUK Arts Centre. Constantin Meunier (1831–1905) was a Belgian painter and sculptor. On the occasion of the centennial anniversary of Constantin...



Critical Realism in Contemporary Art
Around Allan Sekula's Photography
As scratches of reality, Sekula's photographs and films leave their traces in our minds. They encourage, yes, even force reflection, and through that, slow changes can probably become a reality, certainly at the level of the individual.



Fluid Flesh
The Body, Religion, and the Visual Arts
How do we relate the body we have and the bodies we see to the mind, or to the soul? Fluid Flesh addresses the relationship between the body, religion, and the visual arts, which is one of both love and tension. Are we able (and allowed) to think of...



Heterogeneous Objects
Intermedia and Photography after Modernism
Heterogeneous Objects explores the encounter of photography with other media since the 1960s.



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