Garver offers a fresh appraisal of the cultural and social history of eighth- and ninth-century women, examining changes in women's lives and in the ways others perceived women during the early Middle Ages.
"The world of romance, whether secular or sacred, is often fraught with difficulties. Lovers are parted and have to struggle to be reunited, monsters or evil stepmothers have to be defeated, and the strength of one's devotion to God or...
European Representations of Islam and the Orient, 1100–1450
Suzanne Conklin Akbari
Representations of Muslims have never been more common in the Western imagination than they are today. Building on Orientalist stereotypes constructed over centuries, the figure of the wily Arab has given rise, at the dawn of the twenty-first century...
The Cedar of Lebanon Vision from the Mongol Onslaught to the Dawn of the Enlightenment
Robert E. Lerner
The Powers of Prophecy is an original attempt to investigate the subject of medieval eschatological prophecies: how and in what circumstances they were written; how they circulated; what they told people about the future; and how they were received.
This selection by Susan E. Deskis and Thomas D. Hill of twelve of Joseph Harris's most important essays underscores the range of his work from critical readings of canonical texts to philological elucidation of Old Norse and Old English literary works...
A prominent Mediterranean port located near Islamic territories, the city of Valencia in the late fifteenth century boasted a slave population of pronounced religious and ethnic diversity: captive Moors and penally enslaved Mudejars, Greeks, Tartars...
National and Transnational Identities in the Elizabethan Age
Carole Levin, John Watkins
In Shakespeare's Foreign Worlds, Carole Levin and John Watkins focus on the relationship between the London-based professional theater world of Shakespeare and an unprecedented European experience of geographic, social, and intellectual mobility.
How Renaissance Linear Perspective Changed Our Vision of the Universe
Samuel Y. Edgerton
Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.