Logic of Experimentation

Logic of Experimentation

Reshaping Music Performance in and through Artistic Research

Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology, and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike.

Paulo de de Assis

Paulo de Assis is a researcher affiliated with the Orpheus Institute of Ghent. He is an experimental performer, pianist and music philosopher, with transdisciplinary interests in composition, philosophy, psychoanalysis and epistemology.


Dynamics of Constraints
Essays on Notation, Editing, and Performance
Juan Parra Cancino, Paulo de de Assis, Mieko Kanno
Three essays express some fundamental issues addressed by ORCiM's research group focusing on the musician's relation to notation.


Contributions:

Virtual Works—Actual Things
Essays in Music Ontology
What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised?Virtual Works—Actual Things addresses contemporary...



The Dark Precursor
Deleuze and Artistic Research
Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s...



Sound and Score
Essays on Sound, Score, and Notation
This volume brings together music expertise from prominent international researchers and performers to explore the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners.












Also of interest

Series

Orpheus Institute

Subjects

Art : Performing Arts / Music

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