The Mourning Voice

The Mourning Voice

An Essay on Greek Tragedy
Foreword by Pietro Pucci

In The Mourning Voice, Nicole Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon, infused with Athenian political ideology, which envisions its spectators first and foremost as citizens, members of the political collective. Instead, Loraux maintains, the spectator addressed by tragedy is the individual defined primarily in terms of his or her humanity, rather than in terms of affiliation with a political group. The plays, she says, involve the spectators in the emotional expressiveness of tragic suffering, thereby creating a theatrical identity. Aroused by the experience of suffering, the audience is reminded that it is witnessing a theatrical representation of the instability of the human condition—a state that Loraux asserts tragedy is uniquely suited to convey.

Elizabeth Trapnell Rawlings

The late Nicole Loraux was the author of many books. Elizabeth Trapnell Rawlings is an independent translator whose most recent translations appear in Greek Thought: A Guide to Classical Knowledge, edited by Jacques Brunschwig and Geoffrey E. R. Lloyd. Pietro Pucci is Goldwin Smith Professor of Classics at Cornell University and the author of many books.


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Also of interest

The Mirror of Antiquity
American Women and the Classical Tradition, 1750–1900
Caroline Winterer

Series

Cornell Studies in Classical Philology

Subjects

Interdisciplinary Studies : Classics
Literature : Literature / Ancient and Classical

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