Improvising Early Music

Improvising Early Music

Rob C. Wegman, Johannes Menke, Peter Schubert
Edited by Dirk Moelants

Studying improvised music is always a challenge, due to its volatility and unpredictability. But what about studying musical improvisation from before the age of sound recordings? In this book, three experts give their view on aspects of musical improvisation in the late medieval, renaissance, and early baroque periods. Historical sources show us how improvisation was an integral part of music education and how closely improvisation and composition were linked. This gives new insights into the way music was played in its original historical context and a new way to look at written scores from the past. Improvising Early Music will appeal to anyone interested in the historical background of our written musical heritage and to musicians who want to gain a deeper insight in the way this music was created.

Contributors: Johannes Menke (Schola Cantorum Basiliensis, Basel), Peter Schubert (Schulich School of Music, McGill University, Montreal), Robert C. Wegman (Princeton University)

Dirk Moelants

Dirk Moelants is Assistant and Lecturer of Music Theory and Ethnomusicology at the Department of Musicology of Universiteit Gent.


Contributions:

Partimento and Continuo Playing in Theory and in Practice
Thomas Christensen, Robert Gjerdingen, Rudolf Lutz, Giorgio Sanguinetti
This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory









Also of interest

The Art of Quartet Playing
The Guarneri Quartet in Conversation with David Blum
David Blum

Series

Collected Writings of the Orpheus Institute

Subjects

Interdisciplinary Studies : Medieval and Renaissance Studies
Art : Performing Arts / Music

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