Reflections on Liszt
"No one knows more about Franz Liszt than Alan Walker."—Malcolm Bowie, Times Literary Supplement
In a series of lively essays that tell us much not only about the phenomenon that was Franz Liszt but also about the musical and cultural life of nineteenth-century Europe, Alan Walker muses on aspects of Liszt's life and work that he was unable to explore in his acclaimed three-volume biography of the great composer and pianist. Topics include Liszt's contributions to the Lied, the lifelong impact of his encounter with Beethoven, his influence on students who became famous in their own right, his accomplishments in transcribing and editing the works of other composers, and his innovative piano technique. One chapter is devoted to the Sonata in B Minor, perhaps Liszt's single most celebrated composition.
Walker draws heavily on Liszt's astonishingly large personal correspondence with other composers, critics, pianists, and prominent public figures. All the essays reveal Walker's broad and deep knowledge of Liszt and Romantic music generally and, in some cases, his impatience with contemporary performance practice.
Alan Walker is Professor of Music at McMaster University. He was awarded the Commemorative Plaque of the Budapest Liszt Society for his contributions to Liszt scholarship.
The Final Years, 1861–1886
The third volume in Alan Walker's magisterial biography of Franz Liszt.
The Weimar Years, 1848–1861
The second volume in Alan Walker's magisterial biography of Franz Liszt.
The Virtuoso Years, 1811–1847
The first volume in Alan Walker's magisterial biography of Franz Liszt.
The Death of Franz Liszt Based on the Unpublished Diary of His Pupil Lina Schmalhausen
"If only I do not die here." After falling ill during a visit to Bayreuth, Franz Liszt uttered this melancholy refrain throughout his final days, which were spent in rented rooms in a house opposite Wahnfried, the home of his daughter Cosima and his...