Dynamics of Constraints

Dynamics of Constraints

Essays on Notation, Editing, and Performance

Three essays express some fundamental issues addressed by ORCiM's research group focusing on the musician's relation to notation. Paulo de Assis argues that critical editions should generate critical users; Mieko Kanno contemplates the rapid expansion of the use of electronics in contemporary music. Juan Parra Cancino points toward a kind of composition whereby the performing and the listening experience don't aim to achieve a "final" version of the piece.




Also of interest

Recognizing Music as an Art Form
Friedrich Th. Vischer and German Music Criticism, 1848Ð1887
Barbara Titus

Series

Orpheus Research Centre in Music Series

Subjects

Art : Performing Arts / Music

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