Ohne Worte

Ohne Worte

Vocality and Instrumentality in 19th-Century Music
Jean-Pierre Bartoli, Hubert Mossburger, Jeanne Roudet, Douglass Seaton, Edoardo Torbianelli
Edited by William Brooks

What can music tell us—without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music.

Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.

Contributors: Jean-Pierre Bartoli (Université Paris–Sorbonne), Hubert Moßburger (Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Université Paris–Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Künste Bern)

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Sung Birds
Music, Nature, and Poetry in the Later Middle Ages
Elizabeth Eva Leach

Series

Collected Writings of the Orpheus Institute

Subjects

Art : Performing Arts / Music

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